Tones of Dirt and Bone silas-finch "Photographers are always looking at

"Photographers are always looking at things

This sequence of 12 images – all taken in Los Angeles

In his debut monograph

8 x 12 inches

Tones of Dirt and Bone silas-finch "Photographers are always looking atBefore A Period of Juvenile Prosperity, there were the days of the Polaroid Kidd. In the early 2000s, Mike Brodie first found his way into photography via the SX 70 camera. It was the last gasp of the golden era of Time Zero, and the film was Brodies gateway. It was expensive, ten sheets to a roll, but he appreciated its inherent limitations; its idiosyncrasies, the way it brought out the tones of the railroad. He liked the way you could manipulate